Archive for October, 2008|Monthly archive page
Make ‘em laugh
Getting ready for my screening at WILDsound Film Festival in Toronto, I started to think how nerve-wrecking it is to do a comedy compared to all other film genres.
With comedy, the rules are simple. If the audience don’t laugh, you’re screwed.
If you do a drama, a horror film, an action-adventure, you usually never know if your film worked until the credits start to roll. Then, either people clap, or boo, or couldn’t care less. You may know if it worked by talking to the audience, by looking at their faces or listening to their conversations when they’re leaving the theater, but comedy is the only genre where you absolutely know if your film worked WHILE it is shown.
But does a comedy HAVE to make you laugh to be considered successful?
Well… Yes.
I’m the first one to admit that my film, Hype, is not a laugh-a-minute-riot, nor is it a slapstick comedy or a comedy of errors. Instead, it relies on a certain punchline to deliver the laugh.
Whenever I watch it with a group of people I always get very anxious at the end, because i know that if people don’t laugh now, the film didn’t work for them.
So tonight, watching Hype with the (hopefully) largest audience I ever had for it, I feel excited but mostly anxious. You sit there and you know that if people won’t laugh, your film is a misfire, a dud, a waste of space. A comedy is meant to make people laugh through satire, irony, black humor, slapstick. Like every good film, it needs to say something about life and the world we live in, about the characters, and it needs to do so in a way that makes you laugh. Maybe not all the way, but I believe a good comedy has to have at least one big laugh proportional to its length.
Woody Allen made some great comedies. Some of them were funnier than others. Bananas and Love and Death were ribald and crazy. Radio Days and Mighty Aphrodite were much more subtle. All of those films made you laugh at one point or another. But while Allen’s first films are considered his funniest, his later comedies are considered to be more deep, more rounded and profound. They are more about something, while his early spoofs are more like 90 minute sketches.
But they are all comedies, and they all work in their own way. I love comedies such as Take The Money And Run and Airplane because I love nonsense humor, but I also admire comedies that are more mature. There’s a lot of leeway inside the genre confines, but the rule always stays the same:
Your audience needs to laugh. And laugh for the right reasons, too.
A comedy can sometime tickle your funny bone without causing you to burst uproariously with laughter. There are countless examples of that. But as I’ve said, it’s not enough. If you strive for a comedy, you need those laugh-out-loud moments. Because what comedy filmmaker would want to sit at a screening of his film and have everyone chuckle inside for 90 minutes, or 20 minutes, or 5 minutes?
No, when we do a comedy, we want to make ‘em laugh.
And we will sit in the dark and hold our breath until then…
Winter is Coming
Ha. There we go again. How’s that Weather Girls song goes? “Humidity is rising, barometer’s getting low”. Only in Toronto it doesn’t rain in the winter, is snows and freezes.
We had a fairly wet, cool summer. Now it’s fall, and it starts getting colder and colder. Last winter was very hard for me. Up to that point, the coldest temperatures I’ve ever experienced were -5c, so it’s understandable that finding myself in -15, -20 territory was a… revelation.
As a general rule, I dislike coats and sweaters and layers of clothing. I feel most natural in a t-shirt. The immense cold of the Toronto winter, including the lack of sun, has had a real effect on my mood last year, and when spring finally came, I felt as if I’ve awakened from a deep slumber.
The winter actually scares me. I remember quite well how I roamed (stupidly) around the streets last November without any head cover and lost sensation in my ears. I remember walking up Bathurst street, arriving to the streetcar stop, and trying to ask someone something, only to realize my jaw is numb and no words, only gurgles, are issuing forth from it. I remember going out on Christmas Eve and taking off my gloves and taking out my camera to snap some photos at the ice rink next city hall – and it was so cold that I couldn’t hold the camera for more than a few seconds.
It might well be I’m overly sensitive because I hail from a warm country, but it doesn’t change the fact that I suddenly feel this sudden urge to book a ticket to California and come back in March. I mean, don’t get me wrong, I love the snow and all – it was the best part of the winter, although it too overstayed its welcome – but this is really going too far.
One of my great pleasures is too just walk. To walk around town and see places. And no, I haven’t yet seen everything Toronto has to offer. In the winter you just can’t do that. You hurry from one warm place to another, trying to minimize your outdoor time as much as possible. So that sucks, because you get four months where you’re an indoor prisoner. I don’t even remember where I walked or what I did last winter. It’s all a blur. To me, it was if I experienced one long snowy, frozen month. Come on, No human is meant to experience this shit. Why can’t we do like bears and hibernate?
The funny thing is Toronto got it the easiest compared to the rest of Canada. To other Canadians, we’re like a friggin’ resort town in February. It’s true what they say, that everything is relative.
There’s only one thing i can’t understand: Where do all the squirrels dissappear to for four months?
But that is for another post.
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